Performance and Meaning of Marthen Luther’s Napan Dance Make-Up and Costume

Author(s): Alisa Berliana Amrianti, Kasiyan Kasiyan

Institution: Yogyakarta Stated University, Indonesia

Category: Articles, IJMMU, Dance, Culture, Meaning, Art

Topics: Performance, Napan Dance, Central Papua

Abstract: This study aims to describe two main things, namely 1) the performance of Napan dance and 2) describe the meaning behind the makeup and clothing of Napan dance in Nabire Regency, Central Papua. This research uses qualitative research methods. Data obtained using observation, interview, and documentation methods. The data analysis stage with data reduction, data presentation, and data verification. Data validity is obtained through triangulation of sources, techniques, and time. The results of the study are 1) the title is taken from the name of the Napan tribe which is the oldest tribe in Nabire, 2) dancers number 20 people or adjust the stage, 3) movements include aro, running ballads, stepping on plates, giving souvenirs, and processions, 4) the floor design used varies greatly, namely rows of two banjars, secure attraction formations, circles, goso-goso, and worship statues, 5) the performance venue is carried out in an open arena, 6) fashion uses si dako and loincloth clothing, 7) makeup uses body painting, 8) dance accompaniment comes from tifa and tabura with dancer vocals, 9) property uses bamboo, arrows, hanging plates, flower garlands, and crowns, 10) has the meaning of songs, colors, and makeup that symbolize various meanings such as a place that is blessed, harmonious, and prayed for safety by God and reflects the cultural identity that exists in Nabire society.

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